Suit up, Junkions! This week, Brian and Cargill prove their all-star status by tangling with Mystery Men.
Was this actually a good movie? The guys discus the insane cast, the meta humor, and the unexpectedly sweet moments.
Also discussed are…
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As the Class of 99 continues, Brian and Cargill take a romantic, if unexpected, trip to Notting Hill!
They discuss how the movie skirts rom com convention, the meta touches (intentional and otherwise), and why it melted even Brian’s heart….
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Class of 99 is back in session and this week, Brian and Cargill dig up The Mummy.
The guys discuss the long road through development hell that almost sent this franchise to the city of the dead before it was ever shot. They also chat Lord Lorre,…
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Get ready to Go!
Brian and Cargill careen through the many farcical storylines of John August/Doug Liman’s Go!
Also discussed, playing basketball with Patton Oswalt, Super Saiyan Tim Olyphant, and why you should never call girls during 90210.
This week, Brian and Cargill jet off to Italy to match wits with The Talented Mr. Ripley.
Traveling under the assumed identity of a movie podcast, the guys also con their way into discussions about infuriating TV real estate, Buca di Beppo’s, and…
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Uhhh…yeah. Brian and Cargill prepare their TPS reports and clock some time with Office Space.
They discuss the time capsule comedy, the film’s affinity for Austin, and how Office Space’s structure is as baffling as Milton.
All this plus…
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Brian and Cargill take on Satan, censorship, and Canadians with South Park: Bigger, Longer & Uncut.
The guys discuss the MPAA, the evolution of satire, and how a combo of Oklahoma, Les Mis, and a low budget cannibal gave us the single most…
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Prepare for fireworks of feels as Brian and Cargill weepingly confess their love for The Iron Giant.
You may know the movie, but do you know the tragedy that birthed it? The innumerable cast members it almost had? That The Giant May have actually…
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This week Brian and Cargill are hitting you with a double shot of Payback.
The guys discuss the theatrical and director’s cut of the upteenth adaption of Donald E. Westlake’s criminal antihero Parker (here as Porter) and why each version of…
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